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His production, titled “Monica,” received first place in the Academy. He produced a short animation thesis film with young actress Bailee Madison. “As a result, I went on a mission to earn my Master’s in Animation and Visual effects at Academy of Art University in San Francisco.”ĭuring graduate school, Cabrera opened his own studio, Creative Squirrels LLC, to work on his clients’ projects while balancing his education. “I wasn’t an animation guy, I was a comic strip print type of guy,” said Cabrera. Cabrera said at one point “Silo” was going to be in animation, but plans fell through at the end. Cabrera’s art was now a paying career but also work that required time. His second life lesson-art requires time-led him into animation software. “You’ll have to put in the work to create good art. “Anything you’ll create will require time,” he said. For two summers, he developed what would become a media-syndicated newspaper comic called “Silo Roberts.”
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“I loved the experience because it taught me how to organize and lead groups, which is important when you collaborate with others in animation or game development,” he said.“At last, a win.”Įvery summer, Cabrera worked on his portfolio to pursue one of his goals-have his own comic. The experience gave me my first glimpse of what show business and production was like, which I found quite valuable.”Īfter graduating college, Cabrera became a public school teacher while working to get his art career off the ground. “I wanted to be creative in different ways than the regular drawing and painting courses. “I did improv, stand-up comedy and commercials,” Cabrera said. In turn, he realized art was his strongest interest and pursued higher education on an art scholarship. As time went on, he carried with himself three life lessons: time is valuable, art requires time and art is business.Ĭabrera’s first lesson on the value of time led him to invest his time in his future.
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He joined a Team Production Club at his high school, the wrestling team and worked at a movie theater.
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In his adolescent years, Cabrera’s interest diversified. He would draw everything he saw and realized the more he drew, the more he saw he wanted to make a living out of it. “‘You should work at Disney!’ I was told as a young artist,” Rob Cabrera, Emmy Award winning animator, story artist and educator, said to art and design students at Campbellsville University.īorn in Bronx, New York, as a young child, Cabrera started his art interest with cartoons and movies like Spiderman as well as comics, lightsabers and giant robots. (Photo Provided)īy Chosalin Morales, student news writer and photographer, Office of University CommunicationsĬAMPBELLSVILLE, Ky. His work has been shown in Africa, Europe and the US, including Odum and Water Masquerades (1974), screened at FESTAC ‘77, Tampere Film Festival, 10th FESPACO, Ouagadougou, 1987, Pan African Writers’ Association, Accra, Ghana, and 1979: A Peep into History and Culture.Rob Cabrera told Campbellsville University art and design students time and effort are required to great good art. He was also the founding executive of the Photographers’ Association of Nigeria (PAN). He was a film consultant to Rivers State Council for Arts and Culture, the director of Rivers State Documentary Series, and consultant/scriptwriter to NTA Network on Documentaries. His writing has been regularly published over the years in a range of Nigerian outlets, including NEXT newspaper, and the blog Shèkèrè. Fiofori was the first New Music/Electronic Music Editor for DownBeat, wrote for much other art and literary publications in the US and Europe - among them International Times and Change magazine - and has been credited with being “largely responsible for bringing underground black creativity to the American national consciousness in those heady days of the 1970s”.